25 years passed before the next comprehensive Hammons exhibition (Mnuchin and Rajaratnam 4), and in their essays for David Hammons: Five Decades (2016), Robert Storr and Alanna Heiss also neglect the Jackson portrait (7–11, 13). In the companion book to the 1990–1991 survey show David Hammons: Rousing the Rubble, Kellie Jones and Tom Finkelpearl (the latter of whom was the curator) ignore How Ya Like Me Now? altogether (15–37, 61–89). Its incongruity with much of Hammons’s oeuvre notwithstanding-or perhaps on account of it-How Ya Like Me Now? has been the subject of little dedicated criticism. download printable PDF Excerpt / Sam Bisno The following excerpt highlights the way that Sam layers motive from both his primary and secondary sources to create an exemplary introduction. In a Tortoiseshell: In his essay, Sam delves deeply into the implications behind David Hammons’s 1988 piece How Ya Like Me Now? At odds with the rest of Hammons’s works, which involve raw and compelling depictions of Blackness in America, How Ya Like Me Now? is a painting that portrays Jesse Jackson, a prominent figure in the Civil Rights Movement and lifelong activist for justice for Black Americans, as white.
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